Hans. I like things. This is where I (re)blog about them. College is a thing I'm doing right now. I suffer from anglophilia. Socal native. Synesthete. That's pretty much it.
Catching Elephant is a theme by Andy Taylor
Gustave Caillebotte - Rue Halévy, From the 6th Floor, 1878
Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892-95
(Source: cavetocanvas)
Akseli Gallén-Kallela (1865-1931) - Spring
Lord Frederic Leighton´- Flaming June, 1894-1895
Albert Wenzell (1864-1917) - A Gift From The Garden
A Young Girl Reading or The Reader (1776) - Jean-Honoré Fragonard
The Eruption of Vesuvius, 1813, Pierre-Henri de Valenciennes. Musée des Augustins, Toulouse. Photo: Daniel Martin
Today marks the 1933th eruptiversary.
Coming up: The Last Days of Pompeii
The most exhausted artwork in the Museum has finally snuck off for a nap. He’ll be back upright on July 24 in the new exhibition Messerschmidt and Modernity.
Self-Portrait, Yawning, Joseph Ducreux, before 1783
I do not like to be picked up. I do not like bells on my collar.
Magdaleine Pinceloup de la Grange, née de Parseval [avec chat], Jean-Baptiste Perronneau, 1747 (In honor of LACMA Cats)
I was adoring this kitty. so cute and grumpy
Advent Calendr | December 7
Entrance to the Jardin Turc, 1812, Louis-Léopold Boilly. The J. Paul Getty MuseumTODAY’S CANDY: The artist in tophat and John Lennon glasses.
saw this too. the colors are far more saturated and there’s a real smoothness to it when you see it up close
Marie Medici :: 2012 (by studio Judith)
Fabulous 21st-century Bronzino adaptation. Those eyes!
Advent Calendr | December 17
Portrait of Marc de Villiers, Secretaire du roi, 1747, Jacques-André-Joseph Aved. The J. Paul Getty MuseumTODAY’S CANDY: Oh hello, I was just re-reading the Iliad. In Greek.
I saw this today, it was marvelous
Happy Birthday, J.C. Leyendecker (March 23, 1874 - July 25, 1951)
“No Golden Age artist made more of an impact than J.C. Leyendecker. With his instantly recognizable style, and his proclivity for self-promotion, he influenced the art of illustration immeasurably. He became a mentor to an entire generation of younger artists - most notably Norman Rockwell, who modeled his own career and technique on Leyendecker’s. His powerful, iconic images, the blockbusters of those halcyon days, depicted a lifestyle that resonated with millions of viewers and came to symbolize American culture. He transformed society with the turn of a single page in a magazine.”
(J.C. Leyendecker: American Imagist by Laurence S. Cutler & Judy Goffman Cutler)
Daffodil Dandy: Easter by J.C Leyendecker (via)
Henry Scott Tuke, The Promise, 1888